Posts Tagged ‘Ramana Maharshi’

A book is launched

October 21, 2020

Long time no post 🙂

Happy to share that my new book ‘Upadesha Saarah – Tattvabodhini’ was launched this month. The book was first released by offering it to Bhagavan Sri Ramana Maharshi, by placing it at the holy shrine of Ramanasramam. The first copy was received by the Asram President, Dr Venkat S. Ramanan.

The book was then formally launched by Ramanacharanatirtha Sri Nochur Venkataraman and Sri V Ganesan, in an online function by the ‘Voice of Rishis’ channel of YouTube.

Embedding the launch video below. The video has an introductory talk by me in English, followed by talks in Tamil by Sri Nochur Venkataraman and Sri V Ganesan. The video ends with the song ‘Prapatti Ashtakam’, a composition of Sri Jagadeeshwara Shastri.

This book includes the Sanskrit treatise ‘Upadeśa Sāra’ of Ramana Maharshi, along with Tattvabodhini, a Sanskrit commentary by Atmavidyabhushanam Sri Jagadeeshwara Shastri, a great scholar of Vedanta and one of the foremost disciples of Sri Ramana Maharshi. English rendering of the treatise and commentary, along with explanations and notes, is by yours truly. Also included is a brief life-sketch of Sri Jagadeeshwara Shastri.

Books can be ordered online from http://www.eganesha.in

Or email : publications@ramanacentre.com

Aksharamanamalai in English – Song and Lyrics

February 3, 2020

Among Bhagavan Sri Ramana Maharshi’s compositions, Aksharamanamalai occupies a unique place. A Tamil work of sublime spirituality, the verses have the power of Veda Mantra. They are revealed words that Bhagavan Ramana, as a Maharshi, saw, and shared with the world of devotees of the One!  Sri Ramana composed this in 1914 CE, during the course of one circumambulation of Arunachala!

The song has been translated by different devotees into several Indian languages. This translator was blessed to render the holy song into Hindi, some years ago. And then later, in 2014, the centenary year of Aksharamanamalai’, he was blessed to translate the song into English. Both the Hindi and the English translations can be sung to the same metre and tune as the Tamil original.

The English rendering was first presented at Ramana Maharshi Centre for Learning, during the Aksharamanamalai centenary seminar in 2014, and later in Ramana Kendra in Delhi and Chennai. In 2017, as a fulfillment of a heartfelt prayer, the song was offered  in Sri Ramanasramam. Dr Ambika Kameshwar sang the Tamil original, while I shared the corresponding English verses. Sharing a YouTube of the audio recorded that day.

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By Sri Ramana’s Grace, the song was presented again at Sri Ramanasramam, in the course of the program of Aksharamanamalai discourses of Sri Ramanacharanatirtha Nochur Venkatraman, in January 2020. The original Tamil verses and the translated English verses, were presented alternatively, verse by verse. After the program, several requests were received for the lyrics of the English song. While the lyrics are available in the book ‘Ramana Darshana Trayi’ (details given below), it is also being made available here, for download.

The lyrics (in pdf format) can be downloaded here:

Click :    Akshararamanamalai- English

This English song, along with a detailed introduction, has been included in the book ‘Ramana Darshana Trayi – Three treatises of Ramana Maharshi’, published by Ramana Maharshi Centre for Learning, Bengaluru, in 2016. (This book contains intro write-ups and translations of Aksharamanamalai, Upadesha Undiyar, and Ulladu Narpadu. For buying the book or for more info, pl write to office@ramanacentre.com)

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Trayi Cover

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With thoughts of Arunachala!

Om Namo Bhagavate Sri Ramanaya! Arunachala smaranam!

 

Aksharamanamalai – Tamil and English

January 7, 2018

Aksharamanamalai is a divine outpouring of Bhakti and Jnana, ‘seen’ and composed by Ramana Maharshi, little more than a hundred years ago… A powerful hymn, the composition has been a ‘taraka mantra’ for devotees, and is sung every day by ever so many people… The composition has been translated and sung in some other Indian languages as well.

This blog writer had the privilege and blessing of translating the holy song into Hindi, some years ago. And the later, in 2014, the centenary year of Akshramanalai, he had the great honor of translating the song into English. He presented this during a seminar of Ramana Centre, Bengaluru in early April 2014. He presented this once more during the Golden Jubilee Celebration of Ramana Kendra, New Delhi, which was held in end April, 2014. And then later he presented this in Ramana Kendra, Chennai as well.

And then as a fulfillment of a heartfelt prayer, he could present this in Sri Ramanasramam as well. On December 16th, 2017, this was sung in the New Hall adjoining the Mathrubhutheshwara and Ramaneshwara Mahalinga shrine at Sri Ramanasramam. The original Tamil verses and the translated English verses, were sung alternatively, individually. My better half Ambika, sang the Tamil verses, and yours truly sang the English..

Sharing a youtube of the audio recorded that day.

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Om Namo Bhagavate Sri Ramanaya! Arunachala smaranam!

 

A book is born

January 3, 2018

It’s been a while once more… So, at first, wish one and all a very happy new year.. A wonderful year, that started with the Supermoon… The 2nd was Arudra Darshan, the day sacred to Nataraja, the Dancing Lord, Shiva… And today, 3rd Jan, 2018, is the Jayanti of Sri Ramana Maharshi. The star of Punarvasu, month of Margazhi, one day after the Arudra Darshana….

And on this sacred day, I am happy to share the news that a new book of mine has been offered at His shrine –  a translation of one of His works – Upadesha Saram …

Upadesha Saram is one of the finest treatises in Vedanta. Ramana Maharshi had first composed it in Tamil (title ‘Upadesha Undiyar’) sometime in 1920-s, and also composed the same treatise in Sanskrit, Telugu and Malayalam as well. In just thirty beautiful verses, the whole ocean of Vedanta philosophy is conveyed in all simplicity, directness and beauty. In 1928 CE, Kavaykantha Ganapathi Muni wrote a Sanskrit commentary on ‘Upadesha Saram’. This was published by Sri Ramanasramam in 1941. And in 1950-s a young Dandi Swami (monk), from North India, wrote a Hindi commentary, based on Muni’s Sanskrit Commentary. That young Sanyasi, Swami Swaroopananda Saraswati, now adorns the Holy Peetham of Dwarka as the Jagadguru Shankaracharya.

By great good fortune, I was blessed to translate the treatise and the two commentaries into English. This was serialized in the ‘Ramana Way’ magazine, of Ramana Maharshi Centre for Learning, Bengaluru. And now, the revised version has been compiled as a book, ‘Upadesha Saaram of Bhagavan Sri Ramana Maharshi, with Bhashya and Translation.’ This book was offered today, on Ramana Jayanti day, at the altar of Ramana, at Sri Ramanasramam.

The cover pages:

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Hope to publish this as an ebook as well, very soon….

Om Namo Bhagavate Sri Ramanaya!

 

 

 

Crazy About Ramana

July 16, 2015

It was sometime in May 2015. I got a call from “Crazy Mohan”, the famous Theater artiste.

(His Wikipedia entry says – “Crazy Mohan (born 16 October 1949 as Mohan Rangachari) is a Tamil comedy actor, script writer and playwright. An engineer by profession, Mohan started writing plays and dramas for stage and established his own drama troupe called Crazy Creations in 1979. In addition to dramas and tele-serials, he has worked as a dialogue writer on a number of comedy films. He has written over 30 plays, worked on over 40 films and played cameo roles in each of these films, and written 100 short stories.”

That’s not the whole story. Mohan is a ‘drawing’/’painting’ artist. He is a terrific Tamil poet.

At heart, he is a simple, down-to-earth, foodie.

And he is a devotee of Bhagavan Sri Ramana Maharshi.

Mohan has written a four hundred verse Tamizh biographical treatise titled ‘Ramanayanam’, which was serialized by Tamizh magazine ‘Amuda Surabhi’.)

I have had the joyous opportunity to work with him for some years now, on a column for  ‘Ramana Way’ – the monthly journal of Ramana Maharshi Centre for Learning, Bengaluru. Working with the Editorial part of the journal, I had approached Mohan in 2012 to seek a column for one issue. We met and spoke, and that blossomed into many conversations, that were carried as a regular column since that time – “Crazy About Ramana” By Crazy Mohan, As told to ‘yours truly’.

In May 2012, he called me and asked me “Why not bring out ‘Crazy About Ramana'” as a book. He was to stage 777th show of his superhit comedy drama ‘Chocolate Krishna’, on July 11th, for which he was inviting superstar Kamalahasan as Chief Guest. And could we release the book on that date?

Mohan knew that the iron was hot. And Mohan is known for his Super-hits!

It happened as planned. On July 11th, 2015, at Narada Gana Sabha, Chennai, Kamalahasan released both, ‘Ramanyanam’ (in e-book form) and ‘Crazy About Ramana’.

Click here to read a writeup from The Hindu on that 777th Show.

And here is a video clip of the books release…

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So, ‘Who’s Crazy?’. What has humor to do with spirituality? Get a glimpse of the spiritual odyssey of Crazy Mohan… Read the book….

To buy the book, connect with the link “Buy some products and help a cause” in the blogroll below.

Or contact, ‘Anbudan Store’ (number 9941622793) – 11 am to 6 pm,  or email to rasa.experience@yahoo.in

Hasta Manana!

Thai Poosham

February 4, 2015

Feb 3 2015… Thai Poosham… A festival of Lord Murugan, celebrated with much joy by Tamil people all over… India, Sri Lanka, Malaysia, Singapore, Mauritius, South Africa… the world over..

Morning started, as most mornings do, with whatsapp greetings… This day it was pictures of Lord Muruga… And a verse from Tiruppugazh… The timeless treatise of the great sage of Arunachala – Tiru Arunagirinathar…. This verse is a well known one, where Arunagirinathar prays to Lord Muruga to come in the form a Guru and bless him…

உருவாய் அருவாய் உளதாய் இலதாய்
மருவாய் மலராய் மணியாய் ஒளியாய்
கருவாய் உயிராய் கதியாய் குருவாய்
வருவாய் அருவாய் குகனே

uruvAi aruvAi uLathAi ilathAi
maruvAi malarAi maNiyAi oLiyAi
karuvAi uyirAi gadhiyAi vidhiyAi
guruvAi varuvAi aruLvAi guhanE

As formless, as with form,
As That which is, As That which is not,
As Fragrance, as Flowers,
As Chime of bells, as Light,
As Embryo, as Life,
As Divine Destiny, as Fruits of Karma
As Guru,
Please come and bless me,
O one in the cave (of the heart)!

Lovely verse, with beautiful sounds…. These then formed as a picture in one’s mind… A picture of Lord Muruga of Pazhani, clad in a loin cloth… And his manifestation as a Guru, in the form of the sage of Arunachala, Bhagavan Sri Ramana Maharshi…

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Evening saw one having darshan of Bhagavan at Ramana Kendra in Chennai, and listening to a soulful music concert of Ramana songs…

Night of Thai Poosham…

One went to the eastern balcony to gaze at the sky and the beautiful full-moon of Thai poosham… A lovely sight greeted the eyes, with a small cluster of black and white clouds flying across the face of the sky, right in front of the moon, making the moon appear to be floating in the other direction… What also caught one’s eye was a bright star at around 8 AM position with respect to the moon… It left an impression…

This morning one saw a picture on the Net… From Jamaica.. of the full moon and ‘that star’

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It was a retweet by ‘Epic Cosmos’ which read – the Moon and Jupiter from Jamaica, this evening.

Aha, the star was a planet! Jupiter!

This is a special cosmic sight. Apparently, Jupiter enjoys its month of glory in February 2015, being the time of what is called the ‘Jupiter Opposition’. What is opposition? It simply means that Earth passes between Jupiter and the sun. Jupiter is opposite the sun in our sky – at its best! (To read about this click here )

And then a friend shared this other picture, from Arunachala.

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Perfect setting for the verse of Arunagirinathar… The mountain Arunagiri… Thai Poosham, the festival of Muruga… Full moon.,.. And Jupiter, which in Indian astronomy is known as Guru…

The prayer of Arunagiri was – ‘As Guru, please come and bless me…”…

Guru has come in the Arunachala sky!

Haro Hara!

The Way of Silence

October 14, 2014

दर्शन को तो साधु हैं, सुमिरन को गुरु नाम ।
तरने को आधीनता, डूबन को अभिमान ।।

Sadhu sage for eyes to see
Guru name for rosary
Humility to cross the life-birth sea
To drown there’s vanity

(Kabir)

Sri_Ramana_Maharshi_-_Sitting_-_G._G_Welling_-_1948

Thirukkakara – the place of the Holy Foot

September 28, 2014

Today is a Saturday in the Tamil month of Purattaashi. A day sacred to Lord Narayana…

Let us then visit a Vishnu temple, shall we?

It was last Sunday, 21st Sep, when this blogger was in Kochi. His place of stay, a service apartment, was in a suburb of Kochi, in a place called Kakkanad. He had returned from a trip to munaar, and was set to return to Chennai that evening. There was a gap of a couple of hours after lunch when he could make time to get a feel of Kakkanad…. And as luck would have it, two old friends, Joseph and Unni , natives of Kochi, gave him a taste of Kerala by taking him on a visit to a temple.

Have you come across a temple of Lord Vamana? Vamana avatara was when Vishnu came as a dwarf Brahmana, to ask for three steps of real estate from King Mahabali. And on being granted his wish, he assumed cosmic form and measured the earth and sky with two steps, and the third he placed on the King’s head on his request. The King was consigned to Patala, and the Lord in turn, in gratitude, agreed to stand as his door guard forever. The King in turn requested that he be allowed to return to earth once a year. And it is this occasion that is celebrated as Onam, when all of Kerala welcomes King Mahabali on his annual visit.

And here we are, at the temple of Vamana, at Thirukkakara, in Kochi-Ernakulam…

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Thirukkakkara is derived from Thiru-kal-karai, meaning – where the Holy foot of the Lord was placed. It is this place where Mahabali offered his head to Lord Vamana for putting his third step. Thus it is that Lord Vamana is known in Kerala as Thirukkakkara appan. Indeed, when Onam is celebrated, an idol of Lord Vamana is installed at home, and this Lord is referred to as Thirukkakkara appan….

So here I am, at Kakkanad – the country of the Holy foot – setting off to visit the temple of Kakkara appan.

We went there sometime around 2 pm… And the temple sanctums was closed. But the temple gate was open…

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The whole atmosphere was serene, like a sleepy afternoon scene from RK Narayan’s Malgudi… Stepping inside, we were greeted by the darshan of the temple flagstaff in front of the main temple…

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On the top of the temple outer wall, there one could see the representation of Vamana avatara.

Here is a close up.

20140921_141541When we went in, there was a large group of devotees who were seated in the courtyard, in shade. And they were singing bhajans.

At the temple front, there was a shining peetham ..

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And a beautiful hanging lamp…

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The temple has main shrines for Vishnu as well as Siva. The Siva shrine houses a Siva Linga which is said to have been worshipped by Mahabali himself. And as such, all devotees visit bot the main shrines. Needless to say, there are several other shrines as well. For Bhagavati, Mahalkakshmi, Ganapathi, Subrahmanya etc,

The main temple being closed, we decided to offer pradaskhina – walk around the main temple.

It was hot…. We were barefoot… Walking around the temple, one noticed the thousands of oil lamps all along the walls… On a festival day evening or night, when all these lamps would be lit, it would be a sight for the Gods. Kerala – God’s own country all right…

On the west of the main temple (assuming temple is North), there was the temple shthala vriksha – the temple tree – a peepal.

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Walking further, we came across a shrine for Naga-s – Serpent deities. Under a tree.

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And it looked as if worship had been offered recently. “Ayilyam” said Unni – indicating the star of the previous day, which is sacred to Naga devata.

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Walking around, on the North-east end, we saw the temple tank… Known as Kapila teertha. One of the legends associated with the temple is that Kapila maharshi performed penance here…

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On the South east side, one noticed a shrine dedicated to Brahma-Rakshasa. This is for a Brahmana who became a ghost. On enquiry, a story emerged. Apparently, once upon a time, a yogi was in this temple was suspected of stealing some golden bananas that were meant for the Lord. The matter was reported to the King. The Yogi, unable to bear the accusation, gave up his life and issued a curse that the Kingdom would come to ruin, which apparently it did. The Yogi became a Brahma Rakshasa. To appease him, a shrine was built specially for him, and all offerings to the main temple are also offered to the idol here.

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The temple of Vamana is ancient. There are stone inscriptions here, which date from 10th century AD.

It is one of the 108 Divya Deshams – sacred temples of Mahavishnu.

And the Lord here has been praised in song by the first of Azhwars – Nammalwar.

Shall we enjoy one of these verses? ‘

வாரிக்கொண் டுன்னை விழுங்குவன் காணில்’என்று
ஆர்வுற்ற என்னை யழியவென னில்முன்னம்
பாரித்து, தானென்னை முற்றப் பருகினான்,
காரொக்கும் காட்கரை யப்பன் கடியனே.

vArik koNDu unnai vizhu’nguvan kANil enRu
ArvuRRa ennai ozhiya ennil munnam
pArittu, tAn ennai muRRap paruginAn
kAr okkum kATkarai appan kaDiyanE.       (tiruvAi. 9.7.9)

The sage sings:

Eager as I was, to gather you completely in my arms
And eat you up, no sooner I set my eyes on you!
But you, O Lord, were quicker.

Spotting me even before I could spot him,
In one gulp, he swallowed me complete –
He, the kAtkarai Lord of the hue of dark clouds,
the deft one who leaves no task unfinished.

What a beautiful verse!

The very same sentiment is expressed by Ramana Maharshi in one of the verses of Aksharamanamalai…

He says

சாப்பா டுன்னைச் சார்ந்துண வாயான்
சாந்தமாய்ப் போவ னருணாசலா!

I came to have you for food, but you ate me up for good,
Now I have attained peace, Arunachala!

Indeed the verse represents the highest teaching of Vedanta.

As Sri Ramana Maharshi says in uLLatu nARpatu

காணலெவ னூணாதல் காண் ( kANalevan UNAthal kAN )

Which means :

How is one to see (God, the Supreme Reality)?
Becoming food (unto the Lord), See!

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But are we fit for becoming the Lord’s food? No…. And so, in his infinite compassion, He feeds us. Yes, one of the highlights of Thirukkakara temple Onam festival, is the Onasadya, where thousands of devotees enjoy a delicious feast, as Lord Vamana’s prasadam…

Om Trivikramaya Vamanaya namah…

All Glory to Thiru Kakkara Appan!

Aksharamanamalai – in English verse

May 10, 2014

Namo Ramana!

Among Bhagavan Sri Ramana Maharshi’s compositions, Aksharamanamalai occupies a unique place. A Tamil work of sublime spirituality, the verses have the power of Veda Mantra. They are revealed words that Bhagavan Ramana, as a Maharshi, saw, and shared with the world of devotees of the One!

This year, 2014, happens to mark a hundred years since this work was revealed to the world. Sri Ramana composed this in 1914 AD, during the course of one circumambulation of Arunachala!

To mark this centenary, Ramana centres all over India, and perhaps the world, are having various festive events. Ramana Maharshi Centre of Learning, Bengaluru held an event in Feb 2014 where over 500 people sang Aksharamanamalai. The song itself has been translated by other devotees into several Indian languages, and they were all sung in part during this event, which also marked 500th performance of Ramananjali, a music troupe that focuses on Ramana Maharshi compositions…

This blog writer had the privilege and blessing of translating the holy song into Hindi, some years ago. And now, in this centenary year, he had the great honor of translating the song into English. He presented this during a seminar of Ramana Centre, Bengaluru in early April 2014. He presented this once more during the Golden Jubilee Celebration of Ramana Kendra, New Delhi, which was held in end April, 2014.

he Ramana Kendra, New Delhi has recorded and shared videos of all the talks held during the event. One of them was this blog writer’s presentation as well… Sharing the youtube of that presentation… Aksharamanamalai, in English… Set to the same metre as the original Tamil song… In rhyme… So that it can be sung in English, just as the original Tamil treatise…

Needless to say, any merit in the translation is solely due to the power of the original, to the grace of Sri Ramana… And all shortcomings are entirely mine…

With your indulgence, presenting Aksharamanamalai in English, in song format… The RamanaKendra, New Delhi video… Starts with a few minutes of intro and talk… And then the song begins…

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Happy that today happens to be the day the wedding of Madurai Meenakshi Amman and Lord Sundareshwara is celebrated. The divine parents of Ramana Maharshi!

Om Namo Bhagavate Sri Ramanaya!

Maanasa Kailasa Yatra – 29

March 18, 2014

Om Nama Sivaya!

It was a few months before the Kailasa Yatra, when Soota visited Kailashanatha Temple in Kanchipuram. He had visited the temple before, but this visit was special. This was the first time he had the experience of doing parikrama (pradakshina) of the Lord of Kailasa…

But first, a word about the temple… Among the thousands of beautiful temples of Tamil Nadu, this one ranks right up there. It was built during the reign of the Pallava Kings, between 685 to 705 AD. (Update: Period as mentioned in the temple’s wikipedia entry. A learned reader has pointed out that the date is different by a few decades…) That’s some one thousand three hundred years ago… And what a beautiful temple… It is poetry in stone… It has exquisite architecture and sculptures… One can confidently assert that there is not enough knowledge now to understand all the aspects of this temple…

Below are a few photographs that my co-yatri Shiva took recently…

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Beautiful isn’t it? And the wonder that we have such beautiful monuments in India, and we neither know their worth nor do we take reasonable efforts to conserve them. Sometimes, we don’t even know where to start. And when we do start, we mess up the whole thing. For instance, there were beautiful paintings (frescos) on the walls of the pradakshina passage of this temple. Fading with ageing of centuries, the conservators apparently thought it wise to whitewash the walls… Sigh.. Anyway, some restoration work has been attempted. For a nice write-up on the temple and these paintings, please click here to read a blog “The Legacy of Chitrasutra – Six – Kailasanatha of Kanchipuram” (It’s a very informative article… Do give it a read)…

Let us dwell a bit on that pradakshina passage…Among the many special aspects of the temple, a most interesting one is this very pradakshina (parikrama, circumambulation) passage around the main sanctum-sanctorum that houses Lord of Kailasa.

The entry into that passage is through a narrow opening that one has to crawl through, full length… Here’s  what the Wikipedia entry on Kailasanathar temple  says: “A circumambulatory passage, with a symbolic meaning is situated along the compound wall. In order to make the circumambulation, there is a narrow entry passage which devotees must crawl through. Seven steps must be climbed in order to reach the passage. Passing through the narrow passage is indicative of passage through life. After the circumambulation, the exit is through a pit or another narrow passage symbolic of death.

The symbolism can be explained thus…

At the entrance of the circumambulation, you drop the old body identification behind – you renounce your “I” notion, “you” die. Leaving the old world of your “I” and “Mine” behind, you crawl through the portal and enter the world of Kailasanatha, Siva. You are in Kailasa… You do parikrama of Siva… All around you on the walls of the passage you see paintings of Siva Lila – the sport of Siva. You are completely absorbed in Siva as you do parikrama. There is no you, no world, only Siva… And then, at the end of this passage, with much effort and strain, you crawl again into a narrow exit  – experiencing death again. Exiting, reborn to the world, you step out and walk into the hall in front of the sanctum-sanctorum… And when you do that, you are in a spirit of great exhilaration. You can’t believe you have managed this transition. You emerge as a new man. And now you are back in the world as well… But now your vision is different… Now, you see all  world as filled with Sivam, Siva-ness… All is Siva…

Now, is this not the very symbolism of Kailasa Parikrama!

Sri Ramana Maharshi, the great sage of Arunachala, has said – “To go to Kailasa and return is just a new birth. For there the body idea drops off.”

And like in the Kanchi Kailasanatha temple parikrama, the death-birth is symbolically experienced twice over in Kailasa Mountain as well. It is first symbolically encountered in the Yamadvar on the south-west of Kailasa, and then again later on the Dolma La pass on other side of Kailasa (as we shall see later)….

And near Yamadvar is a site  that connects one squarely with death…It is a Tibetan sky cremation site…

Swami Bikash Giri, the veteran of Kailasa Yatra, writes – “Situated on the southern corner of Kailash, 6 km from Tarchen is Tarpoche. This place has a flagstaff situated on a corner of a huge ground with a river flowing near it. As we move from Tarpoche, one comes across a huge ground made up of a same type of stone. One will find lots of torn clothes, broken utensils, strands of hair and shoes here. In the middle of the ground there is a round stonewall. Whenever any local man dies, his dead body is first brought to Tarpoche by car. The dead body is cut to pieces, and put inside the rounded wall, which serves as food for kites, crows and dogs. The items such as clothes and utensils, etc of the dead man are also thrown at this place…

Evidently, the idea is to renounce the body identity and the all the attachments of that body…

And yes, there is a sky crematorium site on the other side of Kailas as well.

But one need not worry… Unless one is looking for them, you will not come across these sites in your parikrama. The guides hustle you through the parikrama, and the language difference inhibits any meaningful communication. Moreover, you are battling with your own fear of unknown, and focused as you are on your parikrama, you are not likely to be distracted with questions such as these… Soota missed it all right… Connecting the dots only later…

Be that as it may…

Yes, the holy places of Siva are associated with death. He is the God of Dissolution. He is the shmashana adhipathi, the Lord of the cremation ground. The ancient and holy city of Kashi (Banares, Varanasi) is one big cremation ground. In the Sankalpa mantra-s chanted there, the city is referred to as a Maha-shmashana-bhoomi, “a great cremation ground.” . And to die in Kashi is said to bestow salvation, freedom from the endless death-birth cycle.

Yes…The presence of Siva makes the cremation ground auspicious…. Most auspicious… The body identification dies…Siva-ness alone remains.

As the great sage Kabir of Kashi says,

जीवन मृतक ह्वै रहै, तजै जगत की आस।
तब हरि सेवा आपण करै, मति दुख पावै दास

When a man dies alive, renouncing all attachment to the world, then Hari, the Lord, himself comes to serve. Indeed, no sorrow can touch a devotee of Hari…

This is the essence. The death of body identification…The death of the mind…  And being alive to Siva, in Siva, as Siva.

So here we are… At the first death-life crossover at Yamadvar… And here, again, is a view of Kailasa from there (For source click here).

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07 Kangnyi Chorten With Mount Kailash Behind On Mount Kailash Outer Kora

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And at this point, let me once more rewind to another memory.

It was 25th June, 2013, the day that I was catching a flight to Kathmandu from Delhi, starting off on this Kailasa Yatra. In the airport bookshop, my eyes fell on a book ‘Apprenticed to a Himalayan Master – A Yogi’s Autobiography’, By Sri M. I had not heard of this book before. It looked interesting and I picked it up. I had no idea that the author had also written about his own Kailasa Yatra in that book…. I read it when I could during the Yatra, and completed it upon completion of the Yatra, back in Kathmandu.

In this book, the author, “M”, shares the incredible story of his spiritual journey… Writing about his Maanas-Kailas Yatra, he narrates a very interesting experience in Manasarovar, where he has a vision of a yogi of Gorakhnath panth coming out of the waters and blessing him. He also had visions of his own past life, as a loin-cloth clad yogi meditating in a cave in Gurla Mandhata mountain, overlooking the Maanas…

Here is a quote from the book, where he narrates his experience at Yamadvar, on the first day of his Kailasa Parikrama

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“Then, we reached the Yama Dwar. Here, we had the closest view of the great Kailash, sacred to Hindus, Buddhists and the Bonpas of Tibet. As the great snow peak towered above us, an extraordinary deep meditative mood enveloped me,

Some of our group who had opted for ponies had to wait till the ponies and porters could be organized. Others like me, decided to walk the parikrama, but we waited at Yama Dwar for half an hour. I sat down on a rock facing Kailash and dived deep into myself.  I heard the sound of the little drum called Damaru which Shiv Mahadev holds in his hand whilst dancing the Tandava Nritya, dance of destruction, in my inner ear – dug, dug, dug, dug… This was soon replaced by the enormous bhum, bhum, bhum that seemed to explode inside my head. With my inner eye, I could perceive a strong, conical, whirl wind at a distance. It was moving towards me, threatening to take me with it. Suddenly, I heard the loud greeting of the Natha – Alek Niranjan and the typhoon disappeared. The whirling stopped, there was absolute silence. I opened my eyes, said Sivoham and began to walk. Sivoham remained with me throughout the journey and even afterwards”

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Concluding this post with a verse from Jagadguru Shankaracharya’s Nirvana Shatkam

न मृत्युर् न शंका न मे जाति भेदः ,
पिता नैव मे नैव माता च जन्मा ,
न बन्धुः न मित्रं गुरुर् नैव शिष्यः ,
चिदानन्द रूपः शिवोहं, शिवोहं ||

Neither death nor doubt have I,
Nor any difference of race!
Neither a father have I, nor mother, nor birth,
No relatives, no friends, no Guru, no disciple!

I am the ever pure consciousness-bliss,
Siva am I! Siva am I!

Sivoham! Sivoham!

*** To be continued **